{"id":79,"date":"2019-10-15T12:15:35","date_gmt":"2019-10-15T12:15:35","guid":{"rendered":"http:\/\/wsu.tonahangen.com\/craft\/?p=79"},"modified":"2019-10-24T15:51:54","modified_gmt":"2019-10-24T15:51:54","slug":"unit-2-week-3-the-sound-of-the-past","status":"publish","type":"post","link":"https:\/\/wsu.tonahangen.com\/craft\/2019\/10\/15\/unit-2-week-3-the-sound-of-the-past\/","title":{"rendered":"Unit 2, Week 3: The Sound of the Past"},"content":{"rendered":"<p>This week we explore sources which existed as sound recordings, sound performances,<br \/>\n or audio in some form. Learning to &#8220;read&#8221; and interpret these sources is quite different from handwritten documents and scientific evidence we&#8217;ve we worked with so far, but they are an important part of the cultural landscape of the past.<br \/>\n<a href=\"http:\/\/wsu.tonahangen.com\/craft\/wp-content\/uploads\/2019\/10\/71-MY3UbghL._SR500500_.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/wsu.tonahangen.com\/craft\/wp-content\/uploads\/2019\/10\/71-MY3UbghL._SR500500_-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"aligncenter size-medium wp-image-82\" srcset=\"https:\/\/wsu.tonahangen.com\/craft\/wp-content\/uploads\/2019\/10\/71-MY3UbghL._SR500500_-300x300.jpg 300w, https:\/\/wsu.tonahangen.com\/craft\/wp-content\/uploads\/2019\/10\/71-MY3UbghL._SR500500_-150x150.jpg 150w, https:\/\/wsu.tonahangen.com\/craft\/wp-content\/uploads\/2019\/10\/71-MY3UbghL._SR500500_.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<strong>Tuesday, Oct 15 <\/strong>Reading: Susan Douglas, &#8220;<a href=\"http:\/\/www.tonahangen.com\/wsc\/hi411\/wp-content\/uploads\/2011\/03\/Douglas.RadioComedy.pdf\">Radio Comedy and Linguistic Slapstick<\/a>,&#8221; from <em>Listening In: Radio and the American Imagination<\/em>.<\/p>\n<p>Read not only for content (in this case, her chapter is about radio comedy and some of its notable programs and stars), but also for <strong>historical method<\/strong>: HOW is she writing about sound? HOW is she using radio programs as historical evidence? How does she construct an argument using evidence which she cannot &#8220;show&#8221; us as text or illustrations, but must describe for us&#8211;since we cannot hear it along with her? In one sense, Douglas must translate the shows into a written form, just as the shows themselves must translate physical comedy and &#8220;sight gags&#8221; into linguistic\/aural comedy and &#8220;sound gags.&#8221;<\/p>\n<p>If you&#8217;d like to hear the people \/ shows she discusses&#8230;<br \/>\n<a href=\"https:\/\/archive.org\/details\/amosandy1\">Amos &#8216;n&#8217; Andy<\/a><br \/>\n<a href=\"https:\/\/www.oldtimeradiodownloads.com\/variety\/the-joe-penner-show\">Joe Penner<\/a><br \/>\n<a href=\"https:\/\/archive.org\/details\/Ed_Wynn_Show\">Ed Wynn <\/a><br \/>\n<a href=\"https:\/\/archive.org\/details\/EddieCantorEddieCantorShowPabst481001079GuestWilliamPowell\">Eddie Cantor<\/a><br \/>\n<a href=\"https:\/\/archive.org\/details\/TheBurnsAllenShow\/\">Burns and Allen<\/a><br \/>\n<a href=\"https:\/\/archive.org\/details\/JackBenny1\">Jack Benny <\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=WETe7S0L2GM\">Who&#8217;s On First<\/a> (Abbott and Costello) <\/p>\n<p>For <strong>Thursday Oct 17<\/strong>, everyone&#8217;s assignment is to <strong>listen to at least an hour of old-time radio or recorded sound<\/strong> and be ready to share your findings with the class. <strong>Bring headphones<\/strong> for private listening if you have them available. <\/p>\n<p>Chase down old radio through these links or through Youtube (ignoring any visuals, of course):<\/p>\n<p><a href=\"http:\/\/www.redhotjazz.com\/\">Red Hot Jazz<\/a> &#8211; lots of early recordings from the 1920s<\/p>\n<p><a href=\"http:\/\/www.otr.net\/\">OTR.net<\/a> &#8211; Old Time Radio Network<\/p>\n<p><a href=\"http:\/\/www.rusc.com\/old_time_radio_downloads.aspx\">RUSC.com<\/a> &#8211; this is a fabulous old-time radio website, but its best content is by subscription only. The link goes to a selected list of free downloads. <\/p>\n<p><a href=\"http:\/\/xroads.virginia.edu\/~1930s\/RADIO\/radiofr.html\">America in the 1930s<\/a> (a UVA Project) has very good resources, including a &#8220;Day on Radio,&#8221; with all the programming from one representative day in 1939 for one station. Flash Player required. <\/p>\n<p>All the programs of Orson Welles&#8217; <a href=\"http:\/\/www.mercurytheatre.info\/\">Mercury Theater of the Air <\/a>are online, including the 1938 Halloween &#8220;War of the Worlds&#8221; broadcast that so <a href=\"http:\/\/news.nationalgeographic.com\/news\/2005\/06\/0617_050617_warworlds.html\">terrified the East Coast<\/a>. (Better quality audio may be found on <a href=\"https:\/\/www.youtube.com\/watch?v=Xs0K4ApWl4g\">YouTube<\/a>)<\/p>\n<p><a href=\"http:\/\/www.loc.gov\/jukebox\/\">National Jukebox (Library of Congress)<\/a> is a massive digital archive of recorded sound prior to 1925.<\/p>\n<p><a href=\"http:\/\/wfmu.org\/playlists\/te\">Thomas Edison&#8217;s Attic<\/a> is an archived radio program and podcast that replays old recordings (wax cylinder, phonograph and other now-extinct exotic formats) from the Edison National Historic Site&#8217;s collection &#8211; lots of interesting old American sounds from 1888-1929<\/p>\n<p><a href=\"http:\/\/randsesotericotr.podbean.com\/\">Rand&#8217;s Esoteric OTR<\/a> is a blog &amp; podcast of the author&#8217;s gigantic collection of transcription disks (i.e. records of radio shows meant for later playback), many of them from Armed Forces Radio during WW2. A great source for high-quality web broadcasts of old radio programming.<\/p>\n<p><a href=\"http:\/\/www.genericradio.com\/\">Vintage Radio Scripts can be found here<\/a><\/p>\n<p>Internet Archive&#8217;s Old Time Radio section has a lot of material, including <a href=\"https:\/\/archive.org\/details\/1930-1937RadioNews\/1935-12-19\">news from the 1930s<\/a>, and <a href=\"http:\/\/archive.org\/details\/WWII_News_1944\">WWII news recordings<\/a><\/p>\n<p><strong>Other resources, museums and archives for radio history:<\/strong><\/p>\n<p><a href=\"http:\/\/www.otrr.org\/\">Old Time Radio Researchers Group<\/a><\/p>\n<p><a href=\"http:\/\/www.vrcmct.org\/\">Vintage Radio and Communications Museum<\/a>, Windsor CT <\/p>\n<p><a href=\"http:\/\/www.paleycenter.org\/\">Paley Center for Media; Museum of Television and Radio<\/a> (NY &amp; CA)<\/p>\n<p><a href=\"http:\/\/www.pavekmuseum.org\/\">Pavek Museum, Broadcasting Hall of Fame<\/a> (St. Louis, MN)<\/p>\n<p><a href=\"http:\/\/www.museum.tv\/\">Museum of Broadcast Communications<\/a> (Chicago)<\/p>\n<p><strong>Other Links for Class This Week<\/strong>: <a href=\"https:\/\/www.youtube.com\/watch?v=u3rC7_qeYzM\">Fibber McGee&#8217;s closet<\/a> (1948), <a href=\"https:\/\/archive.org\/details\/amosandy1\/\">Amos&#038;Andy law book episode<\/a> 1929\/07\/03 #28 (10:39), <a href=\"https:\/\/archive.org\/details\/TheBurnsAllenShow\/\">Burns and Allen<\/a> (Maxwell House, 1947-1948), e.g. #25 Gracie Buys George an Easter Outfit, <a href=\"https:\/\/archive.org\/details\/JackBennyTheJell-oProgramStarringJackBenny---1939\/\">Jack Benny 1939<\/a>, <a href=\"https:\/\/archive.org\/details\/1930-1937RadioNews\/\">1930s Radio News<\/a> (Hindenberg #67-68) &#8212; footage &#038; description on <a href=\"https:\/\/www.youtube.com\/watch?v=rWeO1q0gHJE\">later British newsreel<\/a>, On the Media <a href=\"http:\/\/www.wnyc.org\/story\/129838-the-x-factor\/\">&#8220;The X Factor&#8221;<\/a> (2007), Frasier S4 Ep18 <a href=\"https:\/\/www.youtube.com\/watch?v=an-e1llVIH8\">&#8220;Ham Radio&#8221;<\/a> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week we explore sources which existed as sound recordings, sound performances, or audio in some form. Learning to &#8220;read&#8221; and interpret these sources is quite different from handwritten documents and scientific evidence we&#8217;ve we worked with so far, but &hellip; <a href=\"https:\/\/wsu.tonahangen.com\/craft\/2019\/10\/15\/unit-2-week-3-the-sound-of-the-past\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[3],"class_list":["post-79","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-fall19"],"_links":{"self":[{"href":"https:\/\/wsu.tonahangen.com\/craft\/wp-json\/wp\/v2\/posts\/79","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wsu.tonahangen.com\/craft\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wsu.tonahangen.com\/craft\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wsu.tonahangen.com\/craft\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wsu.tonahangen.com\/craft\/wp-json\/wp\/v2\/comments?post=79"}],"version-history":[{"count":7,"href":"https:\/\/wsu.tonahangen.com\/craft\/wp-json\/wp\/v2\/posts\/79\/revisions"}],"predecessor-version":[{"id":88,"href":"https:\/\/wsu.tonahangen.com\/craft\/wp-json\/wp\/v2\/posts\/79\/revisions\/88"}],"wp:attachment":[{"href":"https:\/\/wsu.tonahangen.com\/craft\/wp-json\/wp\/v2\/media?parent=79"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wsu.tonahangen.com\/craft\/wp-json\/wp\/v2\/categories?post=79"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wsu.tonahangen.com\/craft\/wp-json\/wp\/v2\/tags?post=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}